A FORMER Hartlepool art student’s portfolio has hit the highest note of his career so far after using his creative skills in one of the most iconic buildings in the world.
Former Cleveland College of Art and Design student Leslie Travers has been working as the set and costume designer on the glamorous production of the Merry Widow, at the Sydney Opera House in Australia.
The 43-year-old, who is originally from Hartlepool, studied art and design at CCAD in 1988 and since then has built up a world-wide reputation with his company Leslie Travers Design.
He now lives in London and has worked on over 100 operas and theatre shows in venues in Ireland, Italy, France, Germany, Austria, Sweden, Japan, Canada, USA and now Australia.
He has worked with well-known set and costume designers on some of the best known shows including The Lion King, Billy Elliot and Mamma Mia.
He told the Hartlepool Mail: “This was definitely the highlight of my career so far. I was thrilled when I got the contract to do the show.
“It is such an iconic and famous building, so to be a big part of it on such an important production was amazing.
“It was fantastic to make the sets and costumes for the Opera House knowing that so many people would see my work.
“There were around 2,000 people in the audience; this was a real landmark for me.”
He added: “After leaving Hartlepool, I came to London and graduated in theatre design from the London School of Art. “Since then I have always worked freelance.
“I started out as an assistant working on small and medium-sized shows. But my first big contract came when I was 26-years-old and I was asked by Lesley Kemp to design and make the set and costumes for a production called Veriete at the Hackney Empire.
“This opportunity really took things to a different level. Lesley Kemp was very well known in the industry and this helped in getting my name out there – and I’ve never looked back really.”
Leslie’s love of all things theatre started when he was just 12 and he began making cardboard theatres and stage shows for his family.
“I probably bored them for hours on end,” he said.
“But for me it was a magical world I just wanted to be in. I can remember watching musicals on telly and programmes about theatre and the stage and I just wanted to be part of it.
“The turning point for me was when I went to see a production of Nicholas Nickleby, which was six hours long and I was just so impressed how they could tell this story just using props and furniture.
“It was then I knew this was what I wanted to do.”